By Paul Wheeler
This authoritative new reference demystifies the applied sciences of excessive definition and 24P cinematography. it truly is written for the director of images, digital camera team and manufacturer or director and offers with the topic from their perspective. It presents a radical and logical description of the 5 scanning codecs 24P, 25P, 30P, 50i and 60i in addition to recording codecs, modifying techniques, supply strength and discussions at the monetary implications theses judgements may well have.It seems at comparative bills among various judgements surrounding digicam codecs, similar to 16mm to 35mm taking pictures for various examples, similar to a 100-minute low funds motion picture or 30 moment advertisement. there's additionally substantial dialogue at the benefits and drawbacks of utilizing HD as opposed to movie, obvious from a producer's standpoint and what the effect is on all these inquisitive about creating a motion picture. varied supply platforms and digital camera apparatus are mentioned in addition to modifying. jam-packed with functional suggestion for tackling daily judgements and offerings, this can be a must-have advisor for an individual utilizing or contemplating utilizing excessive definition expertise. reap the benefits of info that has been built in keeping with commonly asked questions surrounding the medium.An authoritative reference protecting all 5 scanning formats.Helps you are making judgements concerning codecs and prices.
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Additional info for High Definition and 24p Cinematography
2 HD written to ﬁlm and projected mechanically If the transfer from HD tape to ﬁlm is carried out with suﬃcient precision, and the quality of image produced by diﬀerent companies can vary tremendously, then to all intents and purposes the resultant print will be very similar indeed to the same image having been acquired on 35 mm negative. There are those who will tell you diﬀerent but I have met few who doubt the quality of HD who have seen the demonstration reels at Panavision. 3 HD shown on a state-of-the-art digital projector The quality of image on a cinema screen from a high-end digital projector showing an image that has never been anything but HD is simply stunning.
As the printing machines are very expensive you can imagine where the money goes. There are two forms of printers, one using lasers to write lines of information to the ﬁlm stock and the other forming the whole image on a CRT (Cathode Ray Tube) and then projecting it onto the ﬁlm. They produce images with a slightly diﬀerent character; both can be very good but you will need to test or see demonstrations of both before you shoot and decide which you are going to use, otherwise it will be impossible to visualize the ﬁnished picture during shooting.
3 HD shown on a state-of-the-art digital projector The quality of image on a cinema screen from a high-end digital projector showing an image that has never been anything but HD is simply stunning. It looks a little less like ﬁlm origination than HD 8 Display quality 9 written back to ﬁlm and arguments will go on for years yet as to whether that diﬀerence is an improvement or a degradation of the cinema picture quality. I come down ﬁrmly in the ‘it’s better’ camp. Maybe that is my training in the BBC, where we were always trying to reduce grain and other mechanical defects of the ﬁlm process or maybe I, as a DoP, have simply been going in that direction all my working life, but I love the fact that it is very sharp, there is no dirt and dust, no picture weave and far less ﬂicker.